Though, the same effect could have been had to amplified effect had “Ful Stop” ignited the show.

Yorke’s fascination with the light beams warranted a shadow puppet show of sorts that cascaded across the landscape of every audience member - it was absolute eye candy. Shortly after, Radiohead finally took the stage, and crescendoing into “Daydreaming” was delightful. What’s more, Jonny Greenwood previously collaborated with Dudu Tassa on their 2009 track, “Eize Yom”, which adds even more weight to their experience.

had enlisted the Jewish-Arabic band for their upcoming tour, most likely as a nod to their forthcoming summer gig in Tel Aviv, Israel, which in itself is a nod (and a snub) to the music industry’s trend of boycotting the country. Last week, it was reported that Thom Yorke and co. No, the band didn’t tap someone like James Blake or Other Lives instead, they tagged Israel’s own Dudu Tassa and The Kuwaitis.īut if you’ve been paying attention, as most Radiohead fans are wont to do, this shouldn’t be surprising, either. What was surprising, however, was their choice of an opener. So, it wasn’t too surprising that the English rockers returned to the 305 yet again for their second North American tour behind last year’s outstanding A Moon Shaped Pool.

It makes sense after all, the peninsula is a trap for bands who come into the state as opposed to coming out of the state. Radiohead loves to kick off their tours in South Florida.

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